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    <title><![CDATA[T. Howe : Visual and Contextual Resources]]></title>
    <link>http://cerisia.cerosia.org/omeka/items/browse?output=rss2</link>
    <description><![CDATA[]]></description>
    <pubDate>Sun, 20 May 2012 07:21:19 -0400</pubDate>
    <managingEditor>thowe@marymount.edu (T. Howe : Visual and Contextual Resources)</managingEditor>
    <copyright>Creative Commons Attribution Non-Commercial</copyright>
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    <item>
      <title><![CDATA[Learning New Tricks]]></title>
      <link>http://cerisia.cerosia.org/omeka/items/show/109</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Learning New Tricks</div>
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                                    <div class="element-text">I have been to the Library of Congress five times, and am going tomorrow. It is a wonderful resource, and so convenient. I am ashamed I have not made use of it before now. EN501 should be mandatory for beginning graduate students. Somehow I slipped by without it and am now nearing completion of my degree. The processes I have learned in this course will no doubt help me in the future, and I will be able to pass them on to my students. I have never written from an outline, and find it is new waters. No one writes the same. It would be a sad thing if everyone did. But I find that not working from an outline increases the amount of revision I must do to get a cohesive product. This course has been difficult for me because of this. Although I understand the process, it is hard to put it into practice when I am used to going through the difficult write-freak out-revise process.<br />
<br />
At the onset of my research I found numerous articles from the MLA database, accessed them and read them, and re-read them. Only a few of these sources found themselves in my final research paper, but I learned new ideas, and new vocabulary. I cannot think that it was a waste. One essay in particular I could not let go of. It was Elisabeth Gitter&rsquo;s &ldquo;The Power of Women&rsquo;s Hair in the Victorian Imagination,&rdquo; and although it was off my topic of the eighteenth century, I found it to be fascinating, knowledgeable, and well-written. I may use it as a spring board for my final thesis project.<br />
<br />
I have also learned something of the many resources available for writers and teachers, which I would like to explore further, like Zotero and ManyEyes. I found and explored a new way to do presentations with Prezi, although I realize that I am a neophyte. I would like to take the time to explore this further. One important lesson I have learned is to use sources to find other sources. It helps to have a very knowledgeable enthusiastic professor; I only wish I had taken this course sooner. I have not put everything I have learned into practice, but the stress would be less if I did so I will keep my Booth text for future reference in my career as an educator. This has been a rigorous course, but it has been well worth it.<br />
<br />
For my final essay I thought I was researching hair, but it turned out I was researching a lot more than hair. On the way I learned many interesting facts about hair, but I soon branched out into the subject of rape. Much of what I acquired in the way of learning had to be sorted out into the dust bin, they were not in keeping with my final essay. I discovered it is all a learning process, like life.</div>
                    </div><!-- end element -->
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        <h3>Creator</h3>
                                    <div class="element-text">Jenny Bower</div>
                    </div><!-- end element -->
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        <h3>Contributor</h3>
                                    <div class="element-text">Jenny Bower</div>
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        <h3>Online Submission</h3>
                                    <div class="element-text">Yes</div>
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        <h3>Posting Consent</h3>
                                    <div class="element-text">Yes</div>
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        <h3>Submission Consent</h3>
                                    <div class="element-text">No</div>
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        <h3>Contributor is Creator</h3>
                                    <div class="element-text">Yes</div>
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    <h2>Document Item Type Metadata</h2>
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        <h3>Text</h3>
                                    <div class="element-text">I have been to the Library of Congress five times, and am going tomorrow.  It is a wonderful resource, and so convenient.  I am ashamed I have not made use of it before now.  EN501 should be mandatory for beginning graduate students.  Somehow I slipped by without it and am now nearing completion of my degree.  The processes I have learned in this course will no doubt help me in the future, and I will be able to pass them on to my students.  I have never written from an outline, and find it is new waters.  No one writes the same.  It would be a sad thing if everyone did.  But I find that not working from an outline increases the amount of revision I must do to get a cohesive product.  This course has been difficult for me because of this.  Although I understand the process, it is hard to put it into practice when I am used to going through the difficult write-freak out-revise process.<br />
<br />
At the onset of my research I found numerous articles from the MLA database, accessed them and read them, and re-read them.  Only a few of these sources found themselves in my final research paper, but I learned new ideas, and new vocabulary.  I cannot think that it was a waste.  One essay in particular I could not let go of.  It was Elisabeth Gitter&rsquo;s &ldquo;The Power of Women&rsquo;s Hair in the Victorian Imagination,&rdquo; and although it was off my topic of the eighteenth century, I found it to be fascinating, knowledgeable, and well-written.  I may use it as a spring board for my final thesis project.<br />
<br />
I have also learned something of the many resources available for writers and teachers, which I would like to explore further, like Zotero and ManyEyes.  I found and explored a new way to do presentations with Prezi, although I realize that I am a neophyte.  I would like to take the time to explore this further.  One important lesson I have learned is to use sources to find other sources.  It helps to have a very knowledgeable enthusiastic professor; I only wish I had taken this course sooner.  I have not put everything I have learned into practice, but the stress would be less if I did so I will keep my Booth text for future reference in my career as an educator.  This has been a rigorous course, but it has been well worth it.<br />
<br />
For my final essay I thought I was researching hair, but it turned out I was researching a lot more than hair.  On the way I learned many interesting facts about hair, but I soon branched out into the subject of rape.  Much of what I acquired in the way of learning had to be sorted out into the dust bin, they were not in keeping with my final essay.  I discovered it is all a learning process, like life.   <br />
</div>
                    </div><!-- end element -->
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        <h3>Original Format</h3>
                    <div class="element-text-empty">[no text]</div>
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      <pubDate>Tue, 27 Apr 2010 21:24:52 -0400</pubDate>
    </item>
    <item>
      <title><![CDATA[Marriage à la Mode (Detail)]]></title>
      <link>http://cerisia.cerosia.org/omeka/items/show/97</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Marriage &agrave; la Mode (Detail)</div>
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            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                                    <div class="element-text">Wedding Fashion in the 18th Century </div>
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            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">Marriage &agrave; la Mode, by William Hogarth (detail). Engraving.London, 1745. Author&rsquo;s collection<br />
<br />
&#039;&#039;French commentator wrote that leather shoes were only worn by women &ldquo;destin&eacute; &agrave; la fatigue, chez les femmes de la campagne,&rdquo; not even by domestics from urban centers (cited in Nouvelle Encyclop&eacute;die 1824: 217)<br />
<br />
Taken from :<br />
The Art and Science of Walking: Gender, Space, and the Fashionable Body in the Long Eighteenth Century1by Peter McNeil and Giorgio Riello<br />
Fashion Theory, Volume 9, Issue 2, pp. 175&ndash;204<br />
&copy; 2005 Berg.<br />
</div>
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        <h3>Creator</h3>
                                    <div class="element-text">Hogarth, William</div>
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        <h3>Source</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Albeity, Heba</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">I acknowledge that this item has been fully and correctly documented and that I am within my rights to upload it to this collection.</div>
                    </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Format</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Language</h3>
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                    <div class="element-text-empty">[no text]</div>
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        <div id="contribution-form-online-submission" class="element">
        <h3>Online Submission</h3>
                                    <div class="element-text">Yes</div>
                    </div><!-- end element -->
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        <h3>Posting Consent</h3>
                                    <div class="element-text">Yes</div>
                    </div><!-- end element -->
            <div id="contribution-form-submission-consent" class="element">
        <h3>Submission Consent</h3>
                                    <div class="element-text">Yes</div>
                    </div><!-- end element -->
            <div id="contribution-form-contributor-is-creator" class="element">
        <h3>Contributor is Creator</h3>
                                    <div class="element-text">Yes</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                    <div class="element-text-empty">[no text]</div>
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            <div id="still-image-item-type-metadata-physical-dimensions" class="element">
        <h3>Physical Dimensions</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/omeka/files/download/91/fullsize"><img src="/omeka/files/display/91/square_thumbnail" class="thumb" alt="Marriage &amp;agrave; la Mode (Detail)"/>
</a></div>]]></description>
      <pubDate>Tue, 15 Dec 2009 20:48:59 -0500</pubDate>
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    <item>
      <title><![CDATA[Mid-18th Century Woman's Shoe]]></title>
      <link>http://cerisia.cerosia.org/omeka/items/show/94</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Mid-18th Century Woman&#039;s Shoe</div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Description</h3>
                                    <div class="element-text">Mid-eighteenth-century woman&rsquo;s shoes with cream silk<br />
with embroidered diaper pattern, c. 1765&ndash;80. Royal Ontario Museum, Toronto, 920.16.2.A-B. Photo: Brian<br />
Boyle. Courtesy of the Veronika Gervers Research<br />
Fellowship. <br />
<br />
&#039;&#039;Attitudes towards walking through public spaces and their changes over time were manifested in the material artifact of fashionable footwear. Pattens, clogs, and other devices designed to keep feet above the dirty and wet ground level soon disappeared, and ease of mobility increased still further.&#039;&#039;<br />
</div>
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        <h3>Creator</h3>
                                    <div class="element-text">Anonymous</div>
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        <h3>Source</h3>
                                    <div class="element-text">The Art and Science of Walking: Gender, Space, and the Fashionable Body in the Long Eighteenth Century by Peter McNeil and Giorgio Riello. Fashion Theory, Volume 9, Issue 2, pp. 175&ndash;204</div>
                    </div><!-- end element -->
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                    <div class="element-text-empty">[no text]</div>
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        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
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        <h3>Contributor</h3>
                                    <div class="element-text">Albeity, Heba</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">I acknowledge that this item has been fully and correctly documented and that I am within my rights to upload it to this collection.</div>
                    </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
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    <h2>Contribution Form</h2>
        <div id="contribution-form-online-submission" class="element">
        <h3>Online Submission</h3>
                                    <div class="element-text">Yes</div>
                    </div><!-- end element -->
            <div id="contribution-form-posting-consent" class="element">
        <h3>Posting Consent</h3>
                                    <div class="element-text">Yes</div>
                    </div><!-- end element -->
            <div id="contribution-form-submission-consent" class="element">
        <h3>Submission Consent</h3>
                                    <div class="element-text">Yes</div>
                    </div><!-- end element -->
            <div id="contribution-form-contributor-is-creator" class="element">
        <h3>Contributor is Creator</h3>
                                    <div class="element-text">Yes</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="element-set">
    <h2>Still Image Item Type Metadata</h2>
        <div id="still-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
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        <h3>Physical Dimensions</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/omeka/files/download/88/fullsize"><img src="/omeka/files/display/88/square_thumbnail" class="thumb" alt="Mid-18th Century Woman&amp;#039;s Shoe"/>
</a></div>]]></description>
      <pubDate>Tue, 15 Dec 2009 20:11:12 -0500</pubDate>
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    </item>
    <item>
      <title><![CDATA[Woman's Shoe in Early 18th Century ]]></title>
      <link>http://cerisia.cerosia.org/omeka/items/show/93</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Woman&#039;s Shoe in Early 18th Century </div>
                    </div><!-- end element -->
            <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">Early eighteenth-century woman&rsquo;s shoe with cream silk<br />
brocaded with large rose motif, c. 1730&ndash;60. Royal Ontario Museum, Toronto, 921.2.29. Photo: Brian Boyle. Courtesy of the Veronika Gervers Research Fellowship.<br />
<br />
&#039;&#039;The history of footwear (and especially women&rsquo;s footwear) is dominated by such devices to keep feet above the ground level. This differentiation is important because it reveals contrasting patterns of consumption<br />
and production related to gender.&#039;&#039;<br />
</div>
                    </div><!-- end element -->
            <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Anonymous</div>
                    </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">&quot;The Art and Science of Walking: Gender, Space,and the Fashionable Body in the Long Eighteenth Century&quot; by Peter McNeil and Giorgio Riello. Fashion Theory, Volume 9, Issue 2, pp. 175&ndash;204.</div>
                    </div><!-- end element -->
            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                    <div class="element-text-empty">[no text]</div>
            </div><!-- end element -->
            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">Albeity, Heba</div>
                    </div><!-- end element -->
            <div id="dublin-core-rights" class="element">
        <h3>Rights</h3>
                                    <div class="element-text">I acknowledge that this item has been fully and correctly documented and that I am within my rights to upload it to this collection.</div>
                    </div><!-- end element -->
            <div id="dublin-core-relation" class="element">
        <h3>Relation</h3>
                    <div class="element-text-empty">[no text]</div>
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    <h2>Contribution Form</h2>
        <div id="contribution-form-online-submission" class="element">
        <h3>Online Submission</h3>
                                    <div class="element-text">Yes</div>
                    </div><!-- end element -->
            <div id="contribution-form-posting-consent" class="element">
        <h3>Posting Consent</h3>
                                    <div class="element-text">Yes</div>
                    </div><!-- end element -->
            <div id="contribution-form-submission-consent" class="element">
        <h3>Submission Consent</h3>
                                    <div class="element-text">Yes</div>
                    </div><!-- end element -->
            <div id="contribution-form-contributor-is-creator" class="element">
        <h3>Contributor is Creator</h3>
                                    <div class="element-text">Yes</div>
                    </div><!-- end element -->
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/omeka/files/download/87/fullsize"><img src="/omeka/files/display/87/square_thumbnail" class="thumb" alt="Woman&amp;#039;s Shoe in Early 18th Century "/>
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      <pubDate>Tue, 15 Dec 2009 20:00:23 -0500</pubDate>
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      <title><![CDATA["Walking for Pleasure'' in the 18th Century ]]></title>
      <link>http://cerisia.cerosia.org/omeka/items/show/92</link>
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                                    <div class="element-text">&quot;Walking for Pleasure&#039;&#039; in the 18th Century </div>
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                                    <div class="element-text">&quot;You are clean Fair Lady but our Ways and Means are Dirty.&quot; Mezzotint, 1791. London. Printed for Robert Sayer. Guildhall Library, Print Room, 16903. Courtesy of the Corporation of London.<br />
<br />
This image represents the difficulty of mobility for the high class in 18th century Britain. The streets were dirty and people could not walk for pleasure. Walking was restricted to &lsquo;&lsquo;private squares and pleasure gardens&rsquo;&rsquo;. The poor conditions of roads created the necessity of having shoe cleaners and street sweepers along the roads, which was a quite widespread custom in that time.</div>
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                                    <div class="element-text">&quot;The Art and Science of Walking:Gender, Space,<br />
and the Fashionable Body in the Long Eighteenth Century&quot; by Peter McNeil and Giorgio Riello. Fashion Theory, Volume 9, Issue 2, pp. 175&ndash;204.</div>
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                                    <div class="element-text">Albeity, Heba</div>
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                                    <div class="element-text">I acknowledge that this item has been fully and correctly documented and that I am within my rights to upload it to this collection.</div>
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        </div><!-- end element-set --><div class="item-file image-jpeg"><a class="download-file" href="/omeka/files/download/86/fullsize"><img src="/omeka/files/display/86/square_thumbnail" class="thumb" alt="&amp;quot;Walking for Pleasure&amp;#039;&amp;#039; in the 18th Century "/>
</a></div>]]></description>
      <pubDate>Tue, 15 Dec 2009 19:43:19 -0500</pubDate>
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