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Course Materials
English 251 filelist
English 105D filelist
English 105K filelist
English 232 filelist
Dissertation Materials
Primary filelist
Secondary filelist
Monkey images filelist
Secondary Resources: Theater
Crossdressing
Lewis, Peter. "'An
Irregular Dog': Gay's Alternative Theatre." 1988.
Purinton,
Marjean D. "'Antitheatrical Theatricalism' on the Eighteenth-Century
English Stage." Review of Character's Theatre by
Lisa Freeman.
Bevis, Richard. "Canon,
Pedagogy, Prospectus: Redesigning 'Restoration and Eighteenth-Century
English Drama.'" 1997.
Corman, Brian. "What is the
Canon of English Drama, 1660-1737?" 1992-3.
Dharwadker,
Aparna. "Class, Authorship, and the Social Intertexture of Genre in
Restoration Theater." 1997.
Hume, Robert. "Jeremy Collier
and the Future of the London Theater in 1698." 1999.
Scullion, Adrienne.
"'Forget Scotland': Plays by Scots on the London Stage, 1667-1715."
1997.
Hughes, Derek.
"Who Counts in Farquhar?" 1997.
Beach, Adam R.
"Carnival Politics, Generous Satire, and Nationalist Spectacle in
Behn's The Rover." 2004.
Carlson,
Susan. "Cannibalizing and Carnivalizing: Reviving Aphra Behn's 'The
Rover.'" 1995.
Diamond,
Elin. "Gestus and Signature in Aphra Behn's The Rover."
1989.
Wallace,
Beth Kowaleski. "Reading the Surfaces of Colley Cibber's The
Careless Husband." 2000.
Roper, Alan.
"Language and Action in The Way of the World, Love's
Last Shift, and The Relapse." 1973.
Braverman,
Richard. "Capital Relations and The Way of the World."
1985.
Neufeld,
James E. "The Indigestions of Widdow-Hood: Blood, Jonson, and 'The Way
of the World.'" 1984.
Loftis,
John. "Congreve's Way of the World and Popular
Criminal Literature." 1996.
Kroll, Richard
W. F. "Discourse and Power in The Way of the World."
1986.
Hinnant,
Charles H. "Wit, Propriety, and Style in The Way of the World."
1977.
Gelineau, David.
"Identity in Dryden's Amphitryon: Cuckolds of
Order." 1998.
Schille, Candy
B. K. "Self-Assessment in Dryden's Amphitryon."
1996.
Larson, Martin
A. "The Influence of Milton's Divorce Tracts on Farquhar's Beaux'
Stratagem." 1924.
Milhous,
Judith and Robert Hume. "'The Beaux' Stratagem': A Production
Analysis." 1982.
Solomon, Harry M.
"The Rhetoric of 'Redressing Grievances': Court Propaganda as the
Hermeneutical Key to Venice Preserv'd." 1986.
Rogers,
Katharine M. "Masculine and Feminine Values in Restoration Drama: The
Distinctive Power of Venice Preserved." 1985.
Harth,
Phillip. "Political Interpretations of Venice Preserv'd."
1988.
Munns, Jessica.
"'Plain as the light in the Cowcumber': A Note on the Conspiracy in
Thomas Otway's Venice Preserv'd." 1987.
Moore, John
Robert. "Contemporary Satire in Otway's Venice Preserved."
1928.
Leissner,
Debra. "Divided Nation, Divided Self: The Language of Capitalism and
Madness in Otway's Venice Preserv'd." 1999.
Hughes, Derek. "A New
Look at Venice Preserv'd." 1971.
Parker, Gerald D.
"The Image of Rebellion in Thomas Otway's Venice Preserv'd
and Edward Young's Busiris." 1981.
Bywaters, David.
"Venice, Its Senate, and Its Plot in Otway's 'Venice Preserv'd.'" 1983.
Berman, Ronald. "Nature
in Venice Preserv'd." 1969.
Drougge, Helga. "'The
Deep Reserves of Man': Anxiety in Vanbrugh's The Relapse."
1994.
Shepherd, Simon.
"'The body,' performance studies, Horner and a dinner party." 2000.
Payne, Deborah.
"Reading the Signs in The Country Wife." 1986.
Matalene, H. W.
"What Happens in The Country-Wife." 1982.
Marshall,
W. Gerald. "Wycherley's 'Great Stage of Fools': Madness and
Theatricality in The Country Wife." 1989.
Knapp, Peggy.
"The 'Plyant' Discourse of Wycherley's The Country Wife."
2000.
"Horned
Beasts and China Oranges: Reading the Signs in The Country
Wife." 1974.
Canfield, J.
Douglas. "Religious Language and Religious Meaning in Restoration
Comedy." 1980.
Secondary Resources: Novel
"Amy, Who Knew
My Disease"
Primary and Secondary Resources: Essays,
Objects, Marvels, and Signs
Anonymous. A
miraculous, and Monstrous, but yet most true, and certayne discourse,
of a Woman...in the midst of whose fore-head...there groweth out a
crooked Horne, of four ynches long. London:
Printed by Thomas Orwin, 1588. Early English Books Online.
Anonymous.
A True
Relation of a Monstrous Female-child, with two heads, four eyes, four
ears.... London: Printed by D. Maller. Nd (17th century?).
Early English Books Online.
Anonymous.
A Wonder
Worth the Reading, or a True and faithfull Relation of a
Woman...who...was delivered of a prodigious and Monstrous child. London:
Printed by William Jones, 1617. Early English Books Online.
Anonymous.
News from
St. John's Street, being a Strange and True Relation of a Monstrous
Creature, Which was brought Forth by a Sow.... London:
Printed for D. W., 1676. Early English Books Online.
Anonymous.
Strange News
out of Kent, of a Monstrous and misshapen Child....
London, Printed by T. C., 1609. Early English Books Online.
Anonymous.
The
Description of a Monstrous Pig. London, Printed by
Alexander Lacy, Nd. (16th century). Early English Books Online.
Anonymous. The
Flying Serpent; or, Strange News out of Essex. London,
Printed and Sold by Peter Lillicrap. N.d. (17th century?). Early
English Books Online.
Anonymous.
The Forme
and Shape of a Monstrous Childe. London: Printed by John
Awdeley (?), 1568. Early English Books Online.
Anonymous.
The Vanity
of Female Pride; being a True Relation of a Sow that Pig'd Seven
Monstrous Pigs.... London: Printed by G. C., 1691. Early
English Books Online.
B.,
E. Strange and
Wonderful Newes of the Birth of a Monstrous Child with Two Heads and
Three Arms.... London: Printed for John Smith,
1685.
Granger,
Timothy. A
most true and marueilous straunge wonder, the lyke hath seldom been
seene.... London: Printed by Thomas Colwell, 1563. Early
English Books Online.
Hart,
Jonathan. "Public/Private Subjectivity in the Early Modern
Period: The Self Colonizing and Colonizing the Self." Early Modern Literary Studies
9.3 (2002) 1-23.
<http://extra.shu.ac.uk/emls/08-1/hart.html>.
Hooke,
Robert. Micrographia:
or some Physiological Descriptions of Minute Bodies.
London: Printed by Jo. Martyn and Ja. Allestry, Printers to the Royal
Society. 1665. Early English Books Online.
Daston,
Lorraine. "Marvelous Facts and Miraculous Evidence in Early
Modern Europe." Critical
Inquiry 18.1 (1991): 93-124.
Norbrook,
David. "Women, the Republic of Letters, and the Public Sphere
in the Mid-Seventeenth Century." Criticism
46.2 (2004): 223-240.
Rogers,
Pat. "Nameless Names: Pope,
Curll, and the Uses of Anonymity." New
Literary History 33.2
(2002): 233-245.
Weber,
Harold. "The
"Garbage Heap" of Memory: At Play in Pope's Archives of
Dulness." Eighteenth-Century
Studies 33.1 (1999): 1-19.
Walker,
William. "Ideology and Addison’s Essays on the Pleasures of
the Imagination." Eighteenth-Century
Life 24 (Spring 2000): 65–84.
Westerhoff,
Jan. "A World of Signs: Baroque Pansemioticism, the Polyhistor and the
Early Modern Wunderkammer." Journal
of the History of Ideas (2001): 633-650.
Lamb,
Jonathan. "The Crying of Lost Things." ELH: English Literary History
71 (2004): 949-967.
Benedict,
Barbara. "Encounters with the Object: Advertisements, Time, and
Literary Discourse in the Early Eighteenth-Century Thing-Poem." Eighteenth-Century Studies 40.2
(2007): 193–207.
Black,
Scott. "Social and Literary Form in
the Spectator."
Eighteenth-Century
Studies. 33.1 (1999) 21-42.
Williams,
Grant. "Disarticulating Fantasies: Figures of Speech, Vices,
and the Blazon in Renaissance English Rhetoric." Rhetoric Society Quarterly. 29.1
(1999) 43-54.
Clunas,
Craig. "China in Britain: The Imperial Collections." Colonialism and the Object:
Empire, Material Culture, and the Museum. Ed. by Tim
Barrington and Tom Flynn. New York: Routledge, DATE. 41-51.
Cowan,
Brian. "Mr. Spectator and the Coffeehouse Public Sphere." Eighteenth-Century Studies
37.3 (2004). 345-366.
Primary Resources
Centlivre's The
Busie Body in facsimile
Prefatorial
material from Pamela, 2nd ed.
Pepys on the theater
Fielding's Shamela
Harlequin (vocal
parts)
Thurmond's Harlequin
Dr. Faustus
A description
of a harlequinade
Harlequin
Necromancer
Harlequin
Dr. Faustus (John Rich)
Aaron Hill, The
Devil in the Wine Cellar
Henry
Fielding, The Historical Register for the Year 1736
The Walking
Statue
Chrononhotonthologos
The
Unnatural Parents (fairground booth)
The
Stroler's Pacquet Opened
The
Siege of Troy (fairground booth)
Hurlothrumbo
The Gentleman's Study
(Response to Swift's "Lady's Dressing Room")
second.part.dressing.room.thoughts.pdf
cannot.rain.but.pours.wildman.pdf
thoughts.wild.man.pdf
regular.physician.pdf
female.monster.pdf
he.monster.america.pdf
monster.pdf
congress.beasts.pdf
monster.of.monsters.newEngland.pdf
ward.little.merlins.cave.pdf
lunatick.comedy.pdf
Anon-Anthropologie_abstracted_or_The-Wing-A3483-7_07-p1to100.pdf
kick.him.jenny.pdf
kick.him.nan.pdf
banished.beauty.pdf
man.of.manners1-50.pdf
silvia.country.burial.pt1.pdf
silvia.country.burial.pt2.pdf
mr.tastes.tour.pdf
muse.in.distress.pdf
fall.phaeton.pdf
trip.thro.town.pt1.pdf
trip.thro.town.pt2.pdf
harlequin.strega.per.amore.pdf
roving.husband.pt1.pdf
roving.husband.pt2.pdf
Beaux
Stratagem.htm
Behn_Aphra-The_amorous_prince_or_The_curious-husband-Prologu.pdf
Casaubon_Meric-A_treatise_concerning_enthusiasme1.pdf
Casaubon_Meric-A_treatise_concerning_enthusiasme2.pdf
Casaubon_Meric-A_treatise_concerning_enthusiasme3.pdf
Evelina.pdf
Glanvill_Joseph-A_philosophical_endeavour.pdf
Glanvill_Joseph-Logou_threskeia.pdf
Harlequin_Comes_2_England.htm
Howard_Edward-The_womens_conquest-Wing-H2976-358_04-p1to50[1.pdf
Life
of Spiller.pdf
Machine_as_Dramatis_Persona.pdf
More_Henry-Enthusiasmus_triumphatus1.pdf
More_Henry-Enthusiasmus_triumphatus2.pdf
More_Henry-Enthusiasmus_triumphatus3.pdf
More_Henry-Enthusiasmus_triumphatus4.pdf
Pope-Odyssey.pdf
Scots_Discovery_of_Witchcraft.htm
Tate-CuckholdsHaven1685.pdf
Tyson_Edward-Orangoutang1.pdf
Tyson_Edward-Orangoutang2.pdf
Tyson_Edward-Orangoutang3.pdf
Women's
Conquest.htm
actaeon-and-diana.pdf
adventures-of-half-an-hour.pdf
all-bedeviled-house-in-a-hurry.pdf
anatomist-and-loves-of-mars-and-venus.pdf
apollos-maggot-in-his-cups.pdf
apollos-maggot.pdf
apollos-maggot1.pdf
asmodeus.pdf
aubert-harl-hydaspes.pdf
aubert-harl-hydaspes1.pdf
ballad-opera-essay.pdf
behn.pdf
bickerstaffs-burying.pdf
bickerstaffs-unburied-dead-drama.pdf
brave-irishman.pdf
broken-stock-jobbers.pdf
bullock.pdf
carey-mimicry.pdf
carey-mimicry1.pdf
cartouche.pdf
charke1.pdf
charke_art_of_management.pdf
cheats-of-scapin.pdf
chrononhotonthologos.pdf
city-farce1.pdf
city-farce2.pdf
cobbler-of-preston-bullock.pdf
cobbler-of-preston-johnson.pdf
collier-short-view.htm
collier-state-of-our-bodies.htm
collier.pdf
comick-masque-of-pyramus-and-thisbe.pdf
constant-couple.pdf
copyright--hogarths.htm
copyright--hogarths_files/
country-house.pdf
cries-of-london.pdf
cuckold-in-conceit.pdf
cure-for-jelousie.pdf
dame_dobson_cunning_woman.htm
description-harlequin-tricks.pdf
deux-arlequins-fr-en.pdf
deux-arlequins.pdf
devil-of-a-duke-at-booth.pdf
devil-of-a-wife.pdf
devil-two-sticks-fair.pdf
devil-upon-2-sticks-le-sage.pdf
dispensary.pdf
dogget.pdf
dryden-juvenals-second-satire.pdf
dryden-tempest-and-evenings-love.pdf
duffet.pdf
durgen-resp2dunciad.pdf
durgen2.pdf
earl-of-mar-marred.pdf
earl-of-mar-sequel.pdf
essay-on-freedom-of-humour.pdf
essay.pdf
eunuch.pdf
g-carey-mimicry2.pdf
gay-fable-monkey.pdf
gen-view-stage1.pdf
gen-view-stage2.pdf
gen-view-stage3.pdf
gen-view-stage4.pdf
gen-view-stage5.pdf
gen-view-stage6.pdf
gen-view-stage7.pdf
general-view-of-the-stage.pdf
george-carey-MIMICRY.pdf
gotham-election.pdf
governor-of-cyprus-preface.pdf
griffin.pdf
haines.pdf
hanging
and marriage.htm
harl-faustus-rich.pdf
harlequin-horace.pdf
hbullock1.pdf
hbullock2.pdf
hero-and-leander-at-booth.pdf
highfill-john-rich.pdf
hs1.pdf
hs2.pdf
hs3.pdf
hughes.pdf
hughes2.pdf
humour-of-age-baker.pdf
humour-of-age-baker1.pdf
humours-of-purgatory.pdf
hurlothrumbo.pdf
imitation1.pdf
imitation2.pdf
jack-gyant-killer.pdf
joseph-and-demetrius.pdf
key-to-writings-of-last-age.pdf
late-2.pdf
late-3.pdf
late-cries-of-london.pdf
life-of-wilks.pdf
love-in-a-chest.pdf
love-in-a-mistx2.pdf
love-in-a-sack.pdf
loves-contrivance.pdf
lucian-gout-farce.pdf
masquerade.pdf
metamorphosis-farce.pdf
metamorphosis-farce1.pdf
monkey-GulliversTravels.htm
montfort-faustus.pdf
montfort.pdf
motteaux-novelty.pdf
motteaux.pdf
ode-rich.pdf
opera-of-operas.pdf
otway.pdf
perseus1.pdf
perseus2.pdf
perseus3.pdf
petticoat-plotter1.pdf
petticoat-plotter2.pdf
play-concept-farce.pdf
players-satire.pdf
plot-kelly.pdf
proceedings.pdf
prologue-punch.pdf
rival-milliners1.pdf
rival-milliners2.pdf
roaring-dragon-farce.pdf
roaring-dragon-farce1.pdf
sensus-communis.pdf
sensus-communis1.pdf
serious-conference-harl-scara.pdf
settle.pdf
sham-wedding.pdf
siege-of-troy-at-booth.pdf
slip1.pdf
slip2.pdf
slip3.pdf
smugglers.pdf
squire-trelooby.pdf
stage-pretenders.pdf
stagecoach.pdf
strolers-pacquet-opened.pdf
strolers.pdf
tate.pdf
tate2.pdf
the-craft-and-fraud-of-physic.pdf
the-inquisition.pdf
the-juror.pdf
the-letter-writers.pdf
the-per-juror.pdf
the-petticoat-plotter.pdf
the-slip.pdf
the-what-dye-call-it.pdf
the_mimic.pdf
theatre-to-mountebank.pdf
theatrical-records.pdf
tragedy-of-tragedies.pdf
unburied-dead.pdf
unnatural-parents-at-booth.pdf
walk-to-smithfield.pdf
walking-statue.pdf
ward-happy-lovers.pdf
wat-tyler-and-jack-straw.pdf
wit-at-a-pinch.pdf
womens_conquest.pdf
Primary Sources on the Regulation of the Fairs
England_and_Wales_Sovereign-By_the_King-STC-8330-1875_07-p1[1].pdf
proclamation.1625.ban.pdf
Proclamation.1625.ban.lifted.pdf
England_and_Wales_Sovereign-By_the_King-STC-9091-1877_36-p1[1].pdf
Anon-Bartholomevv_faire-Wing-B980-30_E_173_6_-p1to4[1].pdf
England_and_Wales_Sovereign-By_the_Queene_The_Queenes_most-STC-8232-565_89-p1to1[1].pdf
Anon-Roome_for_companie_heere_comes-STC-213154-1977_08-p1to1[1].pdf
Reading Guides and Misc, Film
Last House on the
Left
The Driller
Killer
I Spit on Your
Grave
Christian Metz
Aesthetics of Cinematic Horror
for more information on any of the projects here, please feel free to email me at thowe AT marymount DOT edu.
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